'Surfacing' Art Journal

06/07/2009

working notes (2)

Filed under: work in progress — Tags: , , — Lesley @ 10:33 am

The photocopy of feathers is from one of my old sketchbooks and shows black feathers (male) and pale feathers (female) from a type of chicken. When oestrogen is applied as the feathers are growing they are, apparently,  ‘feminized’. This is the first time I’ve actually read the caption. I just love the image. And it reminds me of placing daffodils in writing ink and food colouring and watching them gradually turn blue or red. Does this still go on in primary schools?

My collection of feather images is increasing.  No longer pressed under glass, red tinged, but becoming airborne, suspended. It’s a welcome distraction from the idea of ‘preservation’ which seems a vast subject.   Some thoughts around it include methods – salt, wax, sugar.   Words and phrases – cherish, keep, conserve, memento. ‘Repositaries of touch and care’.   ‘Appropriation’ of artefacts.   Anne Sexton’s poem ‘Snow White’ – “she is unsoiled. She is as white as a bonefish”.   And random  images below.   This is the way I prefer to work at the moment. Pieces of the jigsaw.

photocopy image (sketchbook)

photocopy image (sketchbook)

Lesley Bricknell feather image (2009)

Lesley Bricknell feather image (2009)

Postcard (feather cape) no date

Postcard (feather cape) no date

14/06/2009

working notes

Filed under: work in progress — Tags: , , — Lesley @ 1:18 pm

Looking at ‘preservation’ in relation to the museum exhibit  ( Emily Dickinson’s dress).  No prior reading or research.  Sometimes that can get in the way.  A simple culling of stuff I already have around me.  I thought the postcard I have of a petrifying well on my noticeboard was in Somerset.  In fact it is in Derbyshire and apparently famous.  You can just see a doll, teapot(?), ornaments and other items that have gradually petrified – turned into stone.  It reminds me of an artist I came across online who places objects into beehives so that they gradually solidify with beeswax.  Who? Where?  Unwisely I do not always bookmark sites.  Anyway, here are some of the images that currently seem relevant.

petrifying well

Great petrifying well, Matlock Bath (U.K.)

skylight

Skylight – snow momentarily ‘fixed’

noticeboard

Plastic wallet (photos) on noticeboard

feathers

Feathers pressed under glass

Lesley Bricknell (2009)



02/05/2009

Fragments

Filed under: Artists, Printmaking, Textiles — Tags: , , — Lesley @ 7:59 pm

When I am about to reach saturation point on the computer and in need of a little diversion I click open a folder on the desktop containing various images.  These are selected more or less at random from different sources.   I’m tempted to say I alter them almost mindlessly or perhaps I actually mean without any preconceived intentions.  I think some of these images relate to the one of the loose, woven piece etched into glass I mentioned in my previous entry.  There’s a quality of being ‘fixed’, petrified and yet still fluid.  Despite being largely insignificant and heavily cropped these images continue to fascinate me.

Jenny Bullen’s collograph print ‘Untitled’ in a muted pink in which threads are alternately released or contained by darning has long been a favourite piece of mine.  And inspired by my digital meanderings I have returned to look at Anne Wilson and her meticulous, obsessive stitching with hair in a process she refers to as ‘disrepair’, together with her use of threads and lace fragments presented as installations and video pieces.  ‘Make do and mend’ has a totally different meaning.  Off on a tangent and deviating from the aims of my Journal but enjoying the journey.

Lesley Bricknell (2009) Exploratory images (hair, threads, feathers)

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