'Surfacing' Art Journal

18/03/2010

interpretation

This is a loose interpretation of one of Marion’s poems ‘Sister of Swans’.  I find Marion’s poems extremely succinct and rich in meaning and I’ve tried to capture these qualities in this piece of work.  The poem itself has been removed  by Marion from her blog for editing so I do not wish to quote it in its entirety here.  I have taken key phrases such as ‘wings like blades’, ’stitching blossom to blossom’ and ‘first blood’.

Semi constructed cloth, tacks, red dye (photo image) (2010)

Feathers, red dye (photo image) (2010)

Flower petals (altered photo image) (2010)

Flower petals (altered photo image) (2010)

Stained granite, Kit Hill, Cornwall

24/10/2009

into the fray

Filed under: Photography, Textiles, work in progress — Tags: , — Lesley @ 11:08 am

This garment has an odd feel to it when it is unpicked.  Nylon and viscose.  It can’t be frayed or even unravelled unless your preference is for fluffy bits of fibre.   I soon grew tired of picking my way across its surface and instead resorted to deftly slashing it in places.  It’s attraction for me is its limpness, the way it drapes, forlorn.  But it does not work as a textile piece, it has no substance.   It has no impact at all except in photographic form.  One of my ‘neither fish nor fowl’ pieces.

Lesley Bricknell (2009 unpicked blouse

Lesley Bricknell (2009 unpicked blouse

Lesley Bricknell (2009) detail

Lesley Bricknell (2009) detail

Lesley Bricknell (2009) detail

Lesley Bricknell (2009) detail

10/10/2009

ripping yarns

Filed under: Studio, Textiles — Tags: , , — Lesley @ 1:55 pm

Lesley Bricknell (2009) yellow blouse

It’s hard to imagine that this particular garment took three weeks on and off to make (un-make). Using a seam cutter to diligently unpick each line of machine embroidery.  A task I set myself when I  thought I had dispensed with such activities.  The fairy tale realm of quests and tasks to be fulfilled.  Tearing away with a seam cutter, my head a hornet’s nest and equally as fragile.

When making work such as this I tend to hide it away each time.   For me it’s often painful to look at.  Now it seems OK (no pun intended), safe.   My ‘rippings’as my husband calls  them. Only one broken seam cutter this time.  The top image has been altered to a reddish tinge.    I’m  really not sure about the flayed, visceral qualities on display but I tend  to go where the work takes me ( not always a pretty sight.)   The lower image is its true colour.  I’ve never been fond of yellow (with the exception of yellow wallpaper).Lesley Bricknell (2009) ripped blouse (detail)

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